The main thread of the [work] is the idea of migration and the routes and halts until a destination is reached. The main piece is again a sculpture. The fabric the sculpture is dressed in comes from Indonesia and it references the pattern of the so-called refugee bag. There is a closeness and concomitantly a distance between the viewer and the sculpture which is exposed but at the same time sheltered by the walls around it. One can assume that this sensation is similar in the initial relationships immigrants experience in a foreign country.