Category: Drawing
Other Parties
Other Parties
Other Parties
T-A-1-0-2
These drawings belong to the series of works shown in solo exhibition “Ho®s -Sol” (Soil – Less®) by Nadege David. “Ho®s -Sol” refers to the displacement of animals from their soil and their native state of being, transformed into mere objects, functional only in a multitude of categories made up by mankind. The ® alludes to this humanised identification and objectification of animals, and their metamorphosis into merchandised property. The artist retains a childlike stupor and curiosity, and a sense of awe for the beauty of Nature – emotions that have often been forgotten through mankind’s history of exploitation towards other living species. Inspired by the precision of scientific drawing and Asian aesthetics, her watercolour and ink drawings spontaneously take shape and evolve organically – like the unpredictable flow of China ink on paper – mimicking the growth of living beings. (Quynh Pham)
T-A-1-0-1
These drawings belong to the series of works shown in solo exhibition “Ho®s -Sol” (Soil – Less®) by Nadege David. “Ho®s -Sol” refers to the displacement of animals from their soil and their native state of being, transformed into mere objects, functional only in a multitude of categories made up by mankind. The ® alludes to this humanised identification and objectification of animals, and their metamorphosis into merchandised property. The artist retains a childlike stupor and curiosity, and a sense of awe for the beauty of Nature – emotions that have often been forgotten through mankind’s history of exploitation towards other living species. Inspired by the precision of scientific drawing and Asian aesthetics, her watercolour and ink drawings spontaneously take shape and evolve organically – like the unpredictable flow of China ink on paper – mimicking the growth of living beings. (Quynh Pham)
T-A-1-0-0
These drawings belong to the series of works shown in solo exhibition “Ho®s -Sol” (Soil – Less®) by Nadege David. “Ho®s -Sol” refers to the displacement of animals from their soil and their native state of being, transformed into mere objects, functional only in a multitude of categories made up by mankind. The ® alludes to this humanised identification and objectification of animals, and their metamorphosis into merchandised property. The artist retains a childlike stupor and curiosity, and a sense of awe for the beauty of Nature – emotions that have often been forgotten through mankind’s history of exploitation towards other living species. Inspired by the precision of scientific drawing and Asian aesthetics, her watercolour and ink drawings spontaneously take shape and evolve organically – like the unpredictable flow of China ink on paper – mimicking the growth of living beings. (Quynh Pham)
The Horse Hunt
From Saigon – 329 Tran Hung Dao Street
Through the work titled “From Saigon Project”, Lys Bui turn the focus inward to examine the city through its architecture from iconic buildings to small street level stores.
From Saigon – Somewhere in District 5
Through the work titled “From Saigon Project”, Lys Bui turn the focus inward to examine the city through its architecture from iconic buildings to small street level stores.